Friday, December 12, 2008

Artist Profile: Chelsea James



Chelsea James feels that painting is a study of our existence, spirit, and environment, derived from experiences in life. She chooses objects that evoke childhood memories, create situations of atmospheric mystery, and bring visual interest through interaction. She is intrigued by subtle shifts in value and color; yet seeks a personal interpretation of the objects rather than a replication. She finds that personality is revealed through the process of painting. Abstract remnants from her process remain visible in the final product. The hand, she believes, must obey the spirit.



Chelsea earned a Bachelor of fine arts degree in painting and drawing from the University of Utah, and attended intensive workshops in Helper, Utah during the summers of 2002-2004—including landscape, figure drawing and figure painting. Her work has been represented in prominent exhibitions and she has received numerous awards—including being featured in Salt Lake City Magazine's “Upcoming Artists” in Sept. 2006.



Visit Chelsea James' website.

Thursday, November 27, 2008

Artist Profile: Monte Rogers

Award winning painter Monte Rogers is a graduate of Art Center College of Design in Los Angeles. For 30 years he supported his family as a commercial freelance illustrator of books, magazines and advertisements. Monte also taught figure drawing and picture making at the California Art Institute.

He began showing and selling his paintings at art shows and galleries and his sell-out shows allowed him to abandon his career as an illustrator and devote full time to doing paintings of his own choosing.

Regarded as a Western artist, Monte's cumulative work shows the influence of a childhood spent in Oregon's Hood River Valley and California's central coast. In subjects from rodeos to amusement parks and beaches, his paintings reflect the West Coast style infused with a "plein air" approach to light-filled images made up of full-intensity paint applied in boldly expressive, unblended strokes of color.



Monte's paintings can be found in private and corporate collections. Residing on the southern Oregon coast, he enjoys a following in Europe, Asia, and Latin America.

Monte Rogers can be contacted at:

monterogers@charter.net

Wednesday, July 30, 2008

'Hidden' Van Gogh painting revealed

A new technique allows pictures which were later painted over to be revealed once more. An international research team, including members from Delft University of Technology (The Netherlands) and the University of Antwerp (Belgium), has successfully applied this technique for the first time to the painting entitled Patch of Grass by Vincent van Gogh. Behind this painting is a portrait of a woman.



It is well-known that Vincent van Gogh often painted over his older works. Experts estimate that about one third of his early paintings conceal other compositions under them. A new technique, based on synchrotron radiation induced X-ray fluorescence spectroscopy, reveals this type of hidden painting. The techniques usually used to reveal concealed layers of paintings, such as conventional X-ray radiography, have their limitations. Together with experts from the Deutsches Elektronen-Synchrotron in Hamburg and the Kröller-Müller Museum, TU Delft materials expert and art historian Dr Joris Dik, and University of Antwerp chemistry professor Koen Janssens therefore chose to adopt a different approach. The painting is subjected to an X-ray bundle from a synchrotron radiation source, and the fluorescence of the layers of paint is measured. This technique has the major advantage that the measured fluorescence is specific to each chemical element. Each type of atom (e.g. lead or mercury) and also individual paint pigments can therefore be charted individually. The benefit of using synchrotron radiation is that the upper layers of paint distort the measurements to a lesser degree. Moreover, the speed of measurement is high, which allows relatively large areas to be visualised.

Patch of grass

This method was applied to a painting by Vincent van Gogh. The work in question, Patch of Grass, was painted by Van Gogh in Paris in 1887 and is owned by the Kröller-Müller Museum. Previous research had already discovered the vague outline of a head behind the painting. It was scanned at the synchrotron radiation source DORIS at Deutsches Elektronen-Synchrotron DESY in Hamburg using an intense but very small X-ray bundle. Over the course of two days, the area covering the image of a woman's head was scanned, measuring 17.5 x 17.5 cm.

The measurements enabled researchers to reconstruct the concealed painting in unparalleled detail. In particular the combination of the distribution of the elements mercury and antimony (from specific paint pigments) provided a 'colour photo' of the portrait which had been painted over.

The reconstruction enables art historians to understand the evolution of Van Gogh's work better. The applied technique is expected to pave the way for research into many other concealed paintings.

Image credit: DESY Hamburg.

Delft University of Technology

Friday, July 11, 2008

Creativity Tip

Ira Glass, host of NPR's excellent program This American Life, offers some excellent advice to those who do any kind of creative work.



Thanks to Mano Singham for this link.